Surviving Works: context in Verre arts

Bibliography

Tim Chappel, Richard Fardon and Klaus Piepel

Special Issue

Vestiges: Traces of Record Vol 7 (1) (2021)

ISSN: 2058-1963 http://www.vestiges-journal.info

Preface and Acknowledgements (HTML | PDF )

PART ONE CONTEXT

Chapter 1 The Verre (HTML | PDF )

Chapter 2 Documenting the early colonial assemblage - 1900s to 1910s (HTML | PDF )

Chapter 3 Documenting the early post-colonial assemblage - 1960s to 1970s (HTML | PDF )

Interleaf 'Brass Work of Adamawa': a display cabinet in the Jos Museum - 1967 (HTML | PDF )

PART TWO ARTS

Chapter 4 Brass skeuomorphs: thinking about originals and copies (HTML | PDF )

Chapter 5 Towards a catalogue raisonnée

5.1 Percussion (HTML | PDF )

5.2 Personal Ornaments (HTML | PDF )

5.3 Initiation helmets and crooks (HTML | PDF )

5.4 Hoes and daggers (HTML | PDF )

5.5 Prestige skeuomorphs (HTML | PDF )

5.6 Anthropomorphic figures (HTML | PDF )

Chapter 6 Conclusion: late works ̶ Verre brasscasting in context (HTML | PDF )

APPENDICES

Appendix 1 The Verre collection in the Jos and Lagos Museums in Nigeria (HTML | PDF )

Appendix 2 Chappel's Verre vendors (HTML | PDF )

Appendix 3 A glossary of Verre terms for objects, their uses and descriptions (HTML | PDF )

Appendix 4 Leo Frobenius's unpublished Verre ethnological notes and part inventory (HTML | PDF )

Bibliography (HTML | PDF )


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Go to Preface | Chapter 1 | Chapter 2 | Chapter 3 | Interleaf | Chapter 4 | Ch5.1 Percussion | Ch5.2 Personal Ornaments | Ch5.3 Initiation helmets and crooks | Ch5.4 Hoes and daggers | Ch5.5 Prestige skeuomorphs | Ch5.6 Anthropomorphic figures | Chapter 6 Conclusion | Appendix 1 | Appendix 2 | Appendix 3 | Appendix 4 | Bibliography