Chapter Three: The recent history of |
writing: computers, hypertext and the |
future |
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overestimates the importance of fiction and the novel, which he takes to be self-evidently moribund. Below are some examples of what I think are the more important types of text. These are very different from novels, and cast doubt on the radical suggestions of Coover which, incidentally had been anticipated by slightly less than a century. In 1894 Octave Uzanne wrote an extraordinarily perceptive piece entitled 'The end of books'. Shortly after the invention of a mechanical method of recording the voice and other sounds, Uzanne anticipated and described very accurately the Sony Walkman. He was less successful in the prediction proposed in the title of his article. Although much which was once written is now transmitted by telephone or broadcast by radio and television, the hegemony of the paper continues (especially in the much-trumpeted 'paperless office'). Some of the reasons that Uzanne was wrong are summarized below: |
Sound (cassette tape) versus Paper (paperback) |
These have the following properties in common: Both are reasonably permanent, they are portable, durable (in the sense of withstanding repeated access) as well as being cheap and easy to duplicate. Unlike sound recording, writing has the following characteristics: It is easy to index and easy for the reader to move about the text; the leaves of a book can be turned and skipped in a manner impossible in a continuous tape (or scroll of paper). Also, cross-referencing allows readers to compare two passages. Both writing and sound can be shared by two or more people at the same time. Writing, however, is shareable in more, and more flexible, ways than sound recordings. Two people may read different books in the same room without disturbing each other, and without needing headphones. Or, two people may read the same page at different rates (although the faster reader may need to exercise some patience). Finally, writing enters a different dimension when diagrams are included. Diagrams, especially when attached to text which serve as a key or explanation, have no aural equivalent. They form an essential part of some technical writing, including mathematical proofs 1. There is no aural equivalent to the combination of text and diagram on a single page, let alone documets such as maps. 1Eric Livingston has explored the use of diagrams in mathematical proofs (Livingston qqq). |
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Non-linearity- |
Consider Nelson's definition of hypertext as non-linear text. This is problematic
since text even in paragraph-sized chunks is not really non-linear: Here is a linear text and two non-linear versions of it: 1Brown (1991: 373). 2Bush (1945:106). |
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Non-linear reading of texts on paper can be forced or encouraged by technological
quirks. In the days before printing, by copyists' mistakes, for example turning over two pages by mistake. Likewise, the achievement of the 'natural' page order of a copied document may be prevented by a malfunctioning doubled-sided photocopying machine, and/or mistakes in collation and binding. Moreover, it is not necessarily the case that readers read texts in a linear fashion. Indeed, this is the main problem for the evangelizing advocates of hypertext: the non- linear style of reading which they are advocating is not as new and different as they claim. Six Strategies for reading a book - the book as a hypertext document. |
1) Cover to cover 'linear' reading; 2) reading through the footnotes or endnotes; 3) reading the contents page, then one chapter or a specific section only; 4) reading the bibliography; 5) consulting the index, then reading only the passages referred to in a specific index entry; 6) opening the book and reading at random1. |
The idea of hypertext is exciting and tantalizing. Imagine a system that allows you
to read a passage, look up the meaning of unfamiliar words, check a cross reference, not by noting the bibliographic reference for future consultation but by jumping straight to the relevant passage and then returning to the original passage. Add the ability to include your own annotations and comments and you have the fully functioning hypertext reading and authoring system described by Bush in 1945 and realized in the late 1970s by some of the pioneers such as Nelson and Landow. There really are systems available today that can do some (most?) of this, within limits. But this is ignore the power of paper. To return to my first example, it is possible to view the book as a hypertext system. Consider the list just given: if you include the physical actions of the reader moving from book to book then reading and annotating a book when in a good library, and consulting some of the cross-refernces as you go is a perfect exemplification of a 1This is not as silly as it may sound. It is a long established oracular use of the Bible. |
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full hypertext system as just described. S,o just as we saw above, hypertext
dates to about 1150 here is a photo of a workign hypertext authoring system: |
PHOTOGRAPH OF BODLEIAN LIBRARY catalogue room |
Hypertext consists of a complex and multi-dimensional web of interconnected texts, photographs, sound recordings and even films. The links between the different items suggest and invite the making of connections. It has been suggested that the web of hypertextual links resembles (or even is identical to) our own semantic webs (or not, depending which psychological school you susbscribe to). Thus, the computer may be represented as, in one example: |
A semantic cognitive web |
The problem with this suggestion is that it hinges on a metaphor. Now, anthropologists
are fascinated by metaphors and spend a lot of time pursuing them. However, the fascination with metaphor has led us to be wary of their appeal. Firstly, is it correct that concepts are best represented by web-like drawings? Secondly, do the webs of interconnections found in hypertext systems resemble in any interesting way the manner in which humans have concepts? These questions cannot be answered by assertion. |